Company’s second location extends service offerings, featuring a PMC-powered 9.1.4 Dolby Atmos mixing room with an Avid S6 console; includes curated selection of premium microphones, preamps, and outboard equipment bookable now ahead of its July 17 launch.
Building on its existing presence in Vancouver, the post-production and VFX studio moves to reinforce its ‘long-term investment in and commitment to the Canadian market, and to the varying needs’ of its clients.
The studio delivered 35 minutes of visualization across all 8 episodes using a unique Sketchvis pipeline to create the ‘channeling’ of different powers before final effects were in place.
VFX supervisor Stuart Penn discusses the quirky, grisly mayhem, including the Niflheim ice cavern, native creatures known as Creepers, and our hero’s multiple deaths and subsequent regenerations, in Bong Joon-ho’s dark, sci-fi comedy.
The studio shares how the flexible, customizable pipeline helped them deliver 700-800 mostly invisible VFX shots, including editorial splits, performance tweaks and background cleanups, on the iconic filmmaker's latest movie, now in theaters.
Disguise Creative Services spent 52 weeks on Jared Hess’ hit action comedy, working as a virtual art department to create 20 digital environments in Unreal Engine that were used in pre-production, production and post.
VFX Supervisor Sheldon Stopsack and Animation Supervisor Kevin Estey discuss the studio’s extensive world building and character design / animation work on Jared Hess’ hit comedy adventure, delivering 450 visual effects shots that wove together the game’s block-based aesthetic with live-action photography; work included villain Malgosha, The Overworld, The Nether, 12 different Piglin variants, zombies, skeletons, and loveable wolf Dennis.
Consumers continue to expect fresh and innovative experiences across film, TV, games and interactive experiences, in greater quantity with higher fidelity, which means artists and studios require more compute power to handle ever-growing datasets while still delivering on time and on budget.
VFX studio Lux Aeterna delivered hyper-realistic shots for the Netflix docuseries on the famous 1989 Linda Napolitano story of her abduction, keeping in line with an 80s cinematic feel.
Lists of participating speakers and companies have also been published; presentation categories include VFX for Features, Feature Animation, Sound Design, Managing Change, and News.
Fresh off his Oscar win for Jon M. Chu and Universal’s hit musical adventure, the production designer talks real trains, Unreal Engine digital fly-bys, and growing 9 million tulips.
‘Marvel's Moon Girl and Devil Dinosaur,’ ‘Merry Little Batman’ and ‘StoryBots: Answer Time’ were three of the top shows among other winners at this weekend's two separate awards ceremonies.
Visualization supervisors Christopher McDonald and Maike Fiene discuss their teams’ expansive and extensive efforts, from previs to postvis and final, including helping devise camera angles and character movements, on Nessarose Thropp’s levitating wheelchair, Elphaba taking flight, and Doctor Dillamond sequences, on Jon M. Chu’s hit musical adventure.
The 4-day event transforms the city’s ‘Animation Week’ into a hub for seasoned and emerging creators to recharge, inspire, celebrate, and ignite their passion for storytelling, running November 20-23 in Burbank, California.
The independent creative production studio’s new digital set is now part of its pipeline to build immersive video experiences leveraging virtual production, AI, and agile workflows.
The 18th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia will be held at the Hong Kong Convention and Exhibition Centre December 15-18, 2025.
Now fully operational, the Malaysian studio includes a curved LED wall, side panels, and ceiling displays, powered by three 4K Tessera SX40 LED video processors; INFiLED p2.5, p3.91, and p5.9 LED panels deliver HDR-ready visuals to meet the growing demands of the country’s filmmakers and content creators.
The 4-day event returns to Stuttgart, kicking off May 6; on-demand presentations are available May 10 – June 10.
Latest version of industry-leading compositing software allows changes to multiple shots at the same time, faster large-scale roto work, and updated timeline tools for faster shot approval and delivery.
Visual effects supervisor Aaron Wright and his Blue Rain Productions team created various effects for the all-new Hallmark+ holiday mystery series, including scene enhancements, photo replacements, a breaking sleigh, and a big warehouse explosion.
This marks the first hosting of the awards by the comedy duo, whose knowledge of VFX stems from being two identical humans; event set for February 11 at The Beverly Hilton Hotel.
Technology merges real-time rendering with asset ingest and character animation tools accessible across the entire production pipeline, from storyboarding to final pass; streaming veteran David Baron joins leadership team as COO.
New features include accelerated Gaussian Splat support, new shading tools, a new firefly removal algorithm, interoperability, and an updated Open Image Denoiser.
Company unveils new Adobe Premiere Pro, After Effects and Frame.io innovations to streamline post-production and save time; the Film & TV Fund has been expanded with $5M to accelerate career growth for underrepresented creators.
At this year's Autodesk Univerisity, with the help of Mikros Animation, Digital Fish, and Wonder Studio, the tech giant demonstrated a slew of program feature updates and improvements across its product lineup, all designed to increase creative productivity and lower barriers for great storytelling.
