The society also announces special honorees to be recognized at VES Honors Celebration coming November 7.
Entries will be accepted through October 31, 2025 for projects released between January 1 and December 31, 2025; the awards gala is set for February 26, 2026.
Wes Ball's epic 'Planet of the Apes' adventure takes the evening's final and top award, while 'Dune: Part Two' takes home the most feature wins; 'The Wild Robot' the most animated feature wins; and 'Shōgun' the most episodic wins.
This marks the first hosting of the awards by the comedy duo, whose knowledge of VFX stems from being two identical humans; event set for February 11 at The Beverly Hilton Hotel.
Kim Davidson has been re-elected as Board Chair, with Susan O’Neal elected First Vice Chair, David Tanaka as Second Vice Chair, Rita Cahill as Secretary, and Jeffrey A. Okun as Treasurer.
Denis Villeneuve’s sci-fi thriller tops all feature film contenders, while Chris Sanders’ animated drama leads all animation contenders and the HBO and FX dramas top all episodic contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 11 at The Beverly Hilton Hotel in LA.
Actor/producer Sanada is honored with the VES Award for Creative Excellence, while FX supervisor/filmmaker Yamazaki receives the VES Visionary Award; both will be presented at the 23rd Annual VES Awards on February 11, 2025.
Four distinguished VFX practitioners will be recognized by the organization at a celebration later this month.
Distinguished VFX practitioners will be recognized this Fall, including 2024 VES Founders Award recipient Brooke Breton, and the 2024 class of VES Hall of Fame inductees Tim McGovern, Thad Beier, Maya Deren, and Dorothy Davenport.
Most notably, the submission deadline has been moved up to October 31; the submission cost remains the same at $460.00 per entry.
Adding to the list of previously announced honorees, VES NY members nominated or awarded VES Awards for work completed in 2021-2024 will receive special recognition at the June 27 event; tickets now on sale.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
The visual effects supervisor on Sony Pictures Animation’s Oscar-nominated, VES and Annie Award-winning animated masterpiece discusses how artistic and technical innovations were pushed to the limit to take audiences into visual storytelling realms they’ve never experienced before.
The tech giant continues to support students and educators, providing skills, hands-on experiences, and credentials via free software; company tools were used by winning ArtFX School of Digital Arts student filmmakers and nominees for Outstanding Visual Effects in a Student Project recognized at last night’s 22nd annual Visual Effects Society ceremony.
Gareth Edwards’ innovative sci-fi drama set during a future global war between mankind and AI simulants takes home 5 awards, while the hit ‘Spider-Man: Into the Spider-Verse’ sequel takes home 4; HBO’s critically acclaimed, Emmy Award-winning game adaptation series also garners 4 awards.
When director Peter Sohn and Pixar set out to create a 3DCG world in which a fiery young woman found a way to get together with a fun, ‘go-with-the-flow’ guy, they never dreamed it would take quite some time, slowly but surely, through word of mouth, to successfully find a global audience for their film.
Sony Pictures Imageworks has just shared with AWN and VFXWorld a look at how their team, led by Oscar- and BAFTA-nominated VFX supervisor Theo Bialek, were tasked with building the planet-sized organic structure known as the Orgoscope.
The acclaimed actor-producer-director, famed for his portrayal of ‘Star Trek’s James T. Kirk across numerous TV and film projects, will be honored at the 22nd Annual VES Awards on February 21.
VFX supervisor Luc-Ewen Martin-Fenouillet and his team jumped headfirst into the famous battles of Toulon and Waterloo, delivering warring armies of French and British soldiers, their encampments and tents, the smoke from their muskets and cannons, as well as the iconic moment when the infamous general’s horse gets shredded by a cannonball.
The Visual Effects Society names new and returning officers: Kim Davidson as Chair; Susan O’Neal as First Vice Chair; Janet Muswell Hamilton, VES as Second Vice Chair; Rita Cahill as VES Secretary; and Jeffrey A. Okun, VES as Treasurer.
Gareth Edwards' sci-fi thriller tops all feature film contenders, while the 'Spider-Man: Into the Spider-Verse' sequel leads all animation contenders and 'The Last of Us' tops all TV contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 21 at The Beverly Hilton Hotel in LA.
The Visual Effects Society honors the producer/VFX producer for contributions in visual arts, filmed entertainment, and the advancement of storytelling through cutting-edge visual effects; the award will be presented at the 22nd Annual VES Awards next month.
Jeff Barnes, Toni Pace Carstensen, Bob Coleman, Chuck Finance, Shannon Gans, Tim McGovern, and Ray McMillan to be recognized at a celebration of the honorees later this month.
Honorees represent artists and innovators who have significantly influenced the field of visual effects; 2023 class will be celebrated at a ceremony this Fall.
The committee has revised Rules and Procedures in some categories and announced name changes in others; submissions close on November 30; timing of the 22nd Annual VES Awards Presentation is TBD.
