The digital health company has added anime content to its platform, which specializes in a VR treatment, rather than eye patching, that encourages the brain to use both eyes together.
The all-new performance at the Meta Horizon virtual reality comedy club premieres October 30 with replays to follow on the web and mobile app as well.
The forum brings together production and post-production specialists to discuss the latest in research, advances, and industry practices; the conference takes place in London December 3-4
The all-new performance at the Meta Horizon virtual reality comedy club premieres October 2 with replays to follow on the web and mobile app as well.
The final performance in the summer series at the Meta Horizon virtual reality comedy club premieres August 7 with replays to follow; shows were originally filmed at Gilda’s LaughFest in Grand Rapids, now brought to life as avatars.
The Cleveland Institute of Art’s new Interactive Media Lab has Disney DNA.
The animated short from a team of students at ESMA about a rat fighting a pigeon for a small slice of pizza takes the Computer Animation Festival’s top award; conference runs August 10-14 in Vancouver.
Ugo Bienvenu's 2D feature film and the pinscreen short by Pierre-Luc Granjon are among the 23 winners at the jam packed 49th festival edition that saw a record 18,200 accredited attendees from 118 countries.
ASIFA-Hollywood celebrates the best the industry has to offer at animation’s most prestigious awards ceremony, February 21, 2026, at UCLA’s Royce Hall.
Winners of the creative challenges in animation, VFX, virtual production, and AR/VR to be revealed at the inaugural WAVES Summit running May 1-4 at the Jio World Convention Centre in Mumbai.
Director Natasha Lyonne co-writes and co-stars with Brit Marling, in collaboration with VR pioneer Jaron Lanier, to blend ethical AI with traditional filmmaking techniques.
Out of the 3,900 films submitted from around 100 countries, 72 films from 33 countries were selected to compete: 36 in the Official category, 9 in the Off-Limits category, 17 in the Perspectives category, and 10 in the Young Audiences category.
The 20th edition of Animest Bucharest International Animation Festival, the only Oscar qualifying event in Romania, will take place October 3-12, 2025.
Established in 2006, the Oscar qualifying event returns to Canaria, Spain May 7-10, 2025; the event promotes creative development in animation, visual effects and new technologies.
Italy’s premiere animation and visual effects event runs in-person October 12-17 in Torino, Italy with a focus on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming and VFX.
The 18th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia will be held at the Hong Kong Convention and Exhibition Centre December 15-18, 2025.
The premier conference and exhibition on computer graphics and interactive techniques comes to Vancouver, BC August 10-14.
The 4-day event returns to Stuttgart, kicking off May 6; on-demand presentations are available May 10 – June 10.
The 2-day festival returns to Dingle, Ireland, on March 21 for a weekend of creativity, art, and storytelling
Chris Sanders and DreamWorks’ blockbuster feature led the festivities with wins in 9 categories, while Netflix and Riot Games’ fan-favorite series took home 7, in a fun but emotional ceremony dedicated to victims of January’s tragic fires and highlighted by several tributes to LA’s firefighting finest, a real-time fundraiser, and 2 building-clearing false fire alarms.
Dig into the roster of animated feature films, TV shows, and shorts vying for wins in 36 different categories on February 8 at ASIFA-Hollywood’s 52nd annual ceremony recognizing the best in animation from the past year.
9 animated short films recognized for their excellence by an international jury include Grand Prize winner ‘Inkwo for When the Starving Return’ and Jury Award winners ‘Have I Swallowed Your Dreams’ and ‘Jour de Vent;’ View Conference 2025 runs October 12-17.
Technology merges real-time rendering with asset ingest and character animation tools accessible across the entire production pipeline, from storyboarding to final pass; streaming veteran David Baron joins leadership team as COO.
Designed to support the creation of spatial content, the system accurately captures real-world objects, human motion, and backgrounds, recreating them in virtual environments for 3DCG production.
The VFX and animation studio led a team of over 1,700 artists, technologists, and production crew across 4 continents, collaborating remotely as well as using VR and virtual production tools to navigate digital environments.
