Previs Pro Releases Update with User-Requested Refinements
Software introduces Pose Mode, Hand Pose presets, and a series of community-suggested workflow mods to make storyboarding and scene creation more expressive and precise.
Software introduces Pose Mode, Hand Pose presets, and a series of community-suggested workflow mods to make storyboarding and scene creation more expressive and precise.
Previs Pro 3 adds new Animatics feature that incorporates motion, timing, and pacing directly into the visual planning process; Light Grade exits beta; new free pricing level allows users to generate unlimited watermarked storyboards, use up to three AI-generated props, and create one animatic sequence.
Disguise Creative Services spent 52 weeks on Jared Hess’ hit action comedy, working as a virtual art department to create 20 digital environments in Unreal Engine that were used in pre-production, production and post.
Annie Shaw to head the BAFTA-nominated VFX studio’s new arm, whose new virtual production tool supports film and TV productions, production companies, and game developers.
‘RADiCAL for Pre-Production’ includes extensive new features that enable teams to create, simulate, and iterate on scenes and set design with real-time 3D visualization.
House of Cool alum tasked with driving studio’s growth, spearheading global strategic partnerships and leading the company’s expanded 2D production services.
Krow VFX, Torpedo Pictures, and Tryptyc combine strengths and talent rosters to offer concept-to-post-production services with an emphasis on philanthropy.
The new system blends 2D and 3D techniques, promising to blur the line between concept art and production.
Animation database features over 500 AAA-quality animations and a fully functional character and animation Blueprint, everything needed to get a character up and running using the new Motion Matching toolset.
The Accelerator course will allow trainees in London to shoot a film on an 8,000 square-foot LED stage with the same MARS LED volume used on ‘3 Body Problem,’ ‘Culprits,’ ‘Gangs of London,’ and other projects.
Studio’s VFX team delivered over 800 shots, including all space environments, on director Johan Renck’s sci-fi drama starring Adam Sandler and Carey Mulligan; film now streaming on Netflix.
Entertainment company teams up with That Spark Corp to co-produce 3D animated kids’ show based on Chris Parsons’ popular kids’ book series, slated for 2025 release; companion mobile app and Roblox game also announced.
The new holding company housing MPC, Mikros Animation, The Mill, and Technicolor Games plans a gradual transformation from VFX and animation businesses to a singular ‘visual experiences’ company delivering cutting-edge technology in visual storytelling.
With the addition of the production management solution, the tech giant’s industry cloud for M&E, Flow, will link previously disparate workflows of pre-and post-production, fostering broader collaboration and efficiency.
Major update includes new Maya integration and upgraded API for remote collaboration, new metadata system, enhanced Adobe Premiere plugin, Photoshop plugin redesign and updated notification preferences.
The VFX supervisor on Greta Gerwig’s hit film sheds light on the various ways the famed Mattel doll and her world came to life across 1,300 shots involving various digital filmmaking tools, including virtual production, previs, postvis, CG set augmentation, and more than 20 fully CG shots, produced by Framestore, Chicken Bone FX, FuseFX, UPP, and Lola VFX.
The Irish studio has partnered with animation studio Funny Tales and creative collective Cosmonaut on a new sci-fi animated kids’ series based on the artwork of Phillip Kaeser; the show follows Neto, who traverses the galaxy while trying to regain his memory.
Carl Flygare, NVIDIA Professional Visualization Marketing Manager at PNY, talks about virtual production, changes in the M&E landscape, and the many virtues of the NVIDIA RTX™ A5000 professional graphics card, which is available at a special promotional price for a limited time.
In a deal set to close later this year, co-founders Wes Lui and Ricardo Curtis are named Co-General Managers of the Toronto-based pre-production studio, which will maintain its distinct identity under new parent company banner.
Polish-based production company drops live-action look at the making of Relic Entertainment’s hugely popular strategy game set during World War II.
The cybersecurity company’s in-house creative team and VFX studio Framestore use a not-so-metaphorical ‘Trojan horse’ to deliver a message to millions about the real and pervasive threat of cyberattacks.
The animated kids’ comedy series follows two netherworld rivals, three prankster skeletons, and Drac the vegan vampire as they all try to outwit and outrun one another in Count Dracula Junior’s Castle.
‘International On Line Recruitment by Animayo’ runs October 20-21 during which 18 companies will seek to fill over 200 positions.