Humanity’s first encounter with sophisticated, super strong and intelligent AI-generated soldiers that can simply be replaced if struck down stars Jared Leto and Jeff Bridges; featuring even deadlier light cycles and a fantastic color scheme, film hits theaters October 10.
Roberto Patino (‘Westworld’) and David Weiner (‘Halo’) will serve as creators, showrunners, and executive producers of the upcoming adaptation of game publisher Ubisoft’s hugely popular franchise.
Led by VFX Supervisor David Sadler-Coppard and VFX Producer Jasmine Ford–Elgood, the team delivered 239 shots, which included thousands of realistic CG tomatoes, on the Amazon Studios action comedy.
Though the show doesn’t arrive on Netflix until late November, the first real glimpse of the final season does not disappoint, with chills, thrills… and Vecna.
Set 5,000 years in the past, Namit Malhotra’s two-part live-action cinematic universe follows the eternal battle Rama vs. Ravana; Part 1 releases in Diwali 2026, and Part 2 in Diwali 2027.
Working from the earliest pre-production to final delivery, the VFX studio delivered over 2,000 shots on the historical drama about the true story of lawyer and statesman Chettur Sankaran Nair’s pursuit of justice in the wake of the 1919 Jallianwala Bagh massacre.
The VFX veteran will lead the company as it consolidates its global footprint to North America, reporting to Streamland Media CEO Bill Romeo.
Company’s second location extends service offerings, featuring a PMC-powered 9.1.4 Dolby Atmos mixing room with an Avid S6 console; includes curated selection of premium microphones, preamps, and outboard equipment bookable now ahead of its July 17 launch.
Building on its existing presence in Vancouver, the post-production and VFX studio moves to reinforce its ‘long-term investment in and commitment to the Canadian market, and to the varying needs’ of its clients.
‘Arcane,’ ‘Bob’s Burgers,’ ‘Common Side Effects,’ ‘Love, Death + Robots’ and ‘The Simpsons’ are nominated for Outstanding Animated Program; the awards will be broadcast live Sunday, September 14, on the CBS Television Network and stream live and on demand on Paramount+.
The animated short from a team of students at ESMA about a rat fighting a pigeon for a small slice of pizza takes the Computer Animation Festival’s top award; conference runs August 10-14 in Vancouver.
All 15 eligible voters said ‘Yes’ to the agreement, negotiated this past May ahead of the 50th season’s final episode.
Juel Taylor and Tony Rettenmaier are writing the script, with Bad Robot Productions and Electric Somewhere producing.
VFX Supervisor Piotr Karwas and Senior Animation Supervisor Liz Bernard talk the challenges of honoring the hugely popular game’s blocky aesthetic while creating the visually appealing final battle filled with 500 Piglins fighting dozens of Iron Golems, much with keyframe animation, all obeying the laws of physics.
David Madden named president of the company’s North American entertainment and IP business, with executives Maximilian Jo and Tina McIntyre also assuming new positions.
VFX Supervisor Sue Rowe discusses her studio’s work producing 533 visual effects shots, 267 of them taking place amidst the sprawling fields of crops and silos on Mina-Rau, on the second and final season of Lucasfilm’s critically acclaimed ‘Rogue One’ prequel series, now streaming on Disney+.
Amid security and logistic concerns about next year’s G7 Summit being held in the Haute-Savoie during the original festival dates, organizers have moved the event to June 21-27.
Submit your work by July 13 - multiple categories include shorts, visualizations, VFX sequences, game cinematics, and real-time pieces; conference runs December 15-18 in Hong Kong.
Oscar winner Phil Tippett’s visual effects and animation production company showcases its latest work on projects including ‘Star Wars: Skeleton Crew,’ ‘The Book of Boba Fett,’ and ‘The Mandalorian.’
The Australian filmmaker personally handled compositing, clean-up, sky replacements, screen graphics, lighting enhancements, and digital sets, as well as construction of the film’s space-time engine, over several years.
The Naughty Dog studio head and HBO series executive producer/writer/director will continue to be credited as EP; ‘The Last of Us Part II’ co-writer and executive producer Halley Gross has also exited.
The production-proven renderer arrives natively in the 3D creation tool for the first time; standalone version is available for Blender users at a special price and current V-Ray license holders for free.
The studio delivered 35 minutes of visualization across all 8 episodes using a unique Sketchvis pipeline to create the ‘channeling’ of different powers before final effects were in place.
VFX supervisor Stuart Penn discusses the quirky, grisly mayhem, including the Niflheim ice cavern, native creatures known as Creepers, and our hero’s multiple deaths and subsequent regenerations, in Bong Joon-ho’s dark, sci-fi comedy.
Glen Powell channels Arnold himself as he desperately tries to stay alive for 30 days in the all-new adaptation of the Stephen King novel, directed by Edgar Wright, in theaters November 7.
Humanity’s first encounter with sophisticated, super strong and intelligent AI-generated soldiers that can simply be replaced if struck down stars Jared Leto and Jeff Bridges; featuring even deadlier light cycles and a fantastic color scheme, film hits theaters October 10.
Roberto Patino (‘Westworld’) and David Weiner (‘Halo’) will serve as creators, showrunners, and executive producers of the upcoming adaptation of game publisher Ubisoft’s hugely popular franchise.
Led by VFX Supervisor David Sadler-Coppard and VFX Producer Jasmine Ford–Elgood, the team delivered 239 shots, which included thousands of realistic CG tomatoes, on the Amazon Studios action comedy.
Though the show doesn’t arrive on Netflix until late November, the first real glimpse of the final season does not disappoint, with chills, thrills… and Vecna.
Set 5,000 years in the past, Namit Malhotra’s two-part live-action cinematic universe follows the eternal battle Rama vs. Ravana; Part 1 releases in Diwali 2026, and Part 2 in Diwali 2027.
Working from the earliest pre-production to final delivery, the VFX studio delivered over 2,000 shots on the historical drama about the true story of lawyer and statesman Chettur Sankaran Nair’s pursuit of justice in the wake of the 1919 Jallianwala Bagh massacre.
The VFX veteran will lead the company as it consolidates its global footprint to North America, reporting to Streamland Media CEO Bill Romeo.
Company’s second location extends service offerings, featuring a PMC-powered 9.1.4 Dolby Atmos mixing room with an Avid S6 console; includes curated selection of premium microphones, preamps, and outboard equipment bookable now ahead of its July 17 launch.
Building on its existing presence in Vancouver, the post-production and VFX studio moves to reinforce its ‘long-term investment in and commitment to the Canadian market, and to the varying needs’ of its clients.
‘Arcane,’ ‘Bob’s Burgers,’ ‘Common Side Effects,’ ‘Love, Death + Robots’ and ‘The Simpsons’ are nominated for Outstanding Animated Program; the awards will be broadcast live Sunday, September 14, on the CBS Television Network and stream live and on demand on Paramount+.
The animated short from a team of students at ESMA about a rat fighting a pigeon for a small slice of pizza takes the Computer Animation Festival’s top award; conference runs August 10-14 in Vancouver.
All 15 eligible voters said ‘Yes’ to the agreement, negotiated this past May ahead of the 50th season’s final episode.
Juel Taylor and Tony Rettenmaier are writing the script, with Bad Robot Productions and Electric Somewhere producing.
VFX Supervisor Piotr Karwas and Senior Animation Supervisor Liz Bernard talk the challenges of honoring the hugely popular game’s blocky aesthetic while creating the visually appealing final battle filled with 500 Piglins fighting dozens of Iron Golems, much with keyframe animation, all obeying the laws of physics.
David Madden named president of the company’s North American entertainment and IP business, with executives Maximilian Jo and Tina McIntyre also assuming new positions.
VFX Supervisor Sue Rowe discusses her studio’s work producing 533 visual effects shots, 267 of them taking place amidst the sprawling fields of crops and silos on Mina-Rau, on the second and final season of Lucasfilm’s critically acclaimed ‘Rogue One’ prequel series, now streaming on Disney+.
Amid security and logistic concerns about next year’s G7 Summit being held in the Haute-Savoie during the original festival dates, organizers have moved the event to June 21-27.
Submit your work by July 13 - multiple categories include shorts, visualizations, VFX sequences, game cinematics, and real-time pieces; conference runs December 15-18 in Hong Kong.
Oscar winner Phil Tippett’s visual effects and animation production company showcases its latest work on projects including ‘Star Wars: Skeleton Crew,’ ‘The Book of Boba Fett,’ and ‘The Mandalorian.’
The Australian filmmaker personally handled compositing, clean-up, sky replacements, screen graphics, lighting enhancements, and digital sets, as well as construction of the film’s space-time engine, over several years.
The Naughty Dog studio head and HBO series executive producer/writer/director will continue to be credited as EP; ‘The Last of Us Part II’ co-writer and executive producer Halley Gross has also exited.
The production-proven renderer arrives natively in the 3D creation tool for the first time; standalone version is available for Blender users at a special price and current V-Ray license holders for free.
The studio delivered 35 minutes of visualization across all 8 episodes using a unique Sketchvis pipeline to create the ‘channeling’ of different powers before final effects were in place.
VFX supervisor Stuart Penn discusses the quirky, grisly mayhem, including the Niflheim ice cavern, native creatures known as Creepers, and our hero’s multiple deaths and subsequent regenerations, in Bong Joon-ho’s dark, sci-fi comedy.
Glen Powell channels Arnold himself as he desperately tries to stay alive for 30 days in the all-new adaptation of the Stephen King novel, directed by Edgar Wright, in theaters November 7.
